For work, Ken Seligson never arrives late. He's an archaeologist from Port Washington, New York, currently funded by the National Science Foundation. He packs his bag with extra empanadas to share with his crew of eight, deep within the jungle's briar-filled thickets. The head of his crew goes by the nickname "Huech," which translates to armadillo, and which also means that Ken is captain of the armadillos (cue the image of an animated bug movie). Trekking through the expanses of Kaxil Kiuic, Seligson searches for something that can help him better imagine the lives of the ancient Maya, and, sometimes, that means that he has to be creative. From the field, he's brought back to the laboratory rocks "shaped like spoons" and he famously considers any rock with a hole significant. Albeit, these conclusions are made jokingly, it is Seligson's tendency towards imagination that settles his colleagues and makes him the most popular dinner companion at Kiuic. Seligson's artistic endeavors might be most aptly described by the literary term "magical realism." Human-like characters swing through the vines of Seligson's artwork, engaging in lifelike activities or stretching into new forms. This technique renders from adults what Dr. Seuss does for children. The viewer feels capable, and the artwork asks us to stop, take our time, and decode the multi-dimensional meanings embedded within the puzzle. This Marquesian fantasma associates humanity with possibility--feet with flying. Time collapses as historical figures interact with those from the future, and animals wear the faces of humans. These juxtapositions recur fleetingly, as they suggest that we are not tied to a singular existence, rather, freedom exists in the eye of the imagination.
Without further ado, the interview:
The ultimate travel destination: One day I’d really like to spend some time in a small town on an isolated island somewhere, get the feeling of living at the edge of the world…maybe in the Azores or Shetland Islands.
If you could have one super power... Not too creative in this respect, I’m afraid: to be able to fly would be the best (especially considering the opportunities it would open to travel).
Your favorite art project as a kid: Aside from a general enthusiasm for painting with acrylics, I really liked building a tower out of toothpicks and tiny marshmallows in my 3rd Grade art class.
Beer or wine? Depends on the time, depends on the place.
Name one experience that impacted you tangibly to become who you are today. It wasn’t one single experience, but as a result of having the opportunity to visit a number of amazing Mesoamerican archaeological sites as a kid I developed a deep curiosity about the world of our ancestors and an appreciation for trying to understand contemporary Western civilization within the broader context of human ‘history.’
If you were to anamorph… I would anamorph into a bird of some sort.
What triggers your “aha” moment? Usually conversations with friends, often over a pitcher of beer.
Immediately when waking up in the morning, you... Try to get out of bed as quickly as possible, otherwise I’m doomed.
Who is your greatest role model/person that you would like to emulate? If I grow up, I would like to be the Derek Jeter of Mesoamerican archaeology.
What are some of the things happening in Yucatan that interest you as an artist? It’s too bad that a lot of small town markets are producing crafts specifically tailored for tourist consumption, but once in awhile you’ll still find a local artist in a small town producing art for the sake of making something beautiful and/or honoring ancestral traditions. When you come across something like that, it’s inspiring on multiple levels. It’s Ko’ox Boon’s support and recognition of the importance of indigenous, small-town community art that really makes me proud to contribute.
For you, what does the 50//50 project mean? For me the 50//50 project means the opportunity to connect with other artists and art consumers and help foster a greater appreciation for art and creativity that transcends boundaries – social, international, or what have you.
could could, I would I'd like to think I would.
Ken has worked with Ko'ox Boon in the past as a volunteer in Yaxhachen and as a media designer. And now, with a big hug, we welcome Ken to the 50//50 project. On December 11, you'll have the opportunity to buy a Seligson original! For more information on Ken's art, visit his deviantart.com account, where he posts under the name "Sakbe," or email him at firstname.lastname@example.org.